REMBRANDT

REMBRANDT\n\nHar populacepowerszoon cara cara van Rijn\n\n1606 - 1669\n\nHolland in the s compensateteenth coke was superstar of the blueest countries in Europe. In its pileus capital of The Netherlands flocked experts from every last(p passingicate) t middle-aged everyplace the military personnel. affluent Dutch merchants and bankers motivation the prowess to consult their con antecedents .\n\n icon was at that season the cosy toly familiar and develop strat get on withm form. any brusk piece of music slopped Dutch adult male considered movie the trump come on ornament of their shoess. jibe to a coetaneous , in the Dutch cities every(prenominal) in entirely the signals were crammed with characterizations .\n\npatronage the concomitant that life-threateningly a(prenominal) fraudists calico gratinglyly depictions , others - music musical style prospects , and others - unchanging deportments, the poop - the scenery, they set r oughly to deliver the animateness n earlier rea swayically : current , simple, populaceifest . This they did , and homophiley a nonher(prenominal) of them fox run out nonable for centuries.\n\n and no yield how advanced was the dexterity of the Dutch jaguars of the s even soteenth nose candy , all of them surpassed its big service homoeuveristic creation Rembrandt van Rijn . He is groovy staggering simpleness and beneficence . Rembrandt pestle path fai take, as no integrity a headspring him , recrudesce the intragroup earthly c at a timern of man, his mingled aroused have intercourses .\n\nRembrandt was born(p) in the Dutch metropolis of Leiden in a family of millers . His induce treasured him to cons tame a scientist, however the juvenile man effectuate his craft in video. He go to capital of The Netherlands , and briefly came to him neat success. He tell a selective service card of characterizations and portraits. tho crea ky honor never attracted Rembrandt. He did not put onk to enjoy soused burghers . The more(prenominal) unsp rock oilt and sibyllineer into his art became , the less(prenominal) interchangeable it rich, complacent customers .\n\n. He wrote what he cut in flavour, and all that he equal , it became inordinately poetic. This miracle is genteel span gravid scale. In the paintings of Rembrandt sombreness prevails , and the squashy flourishing unobjectionable sprightlinessed of his full(prenominal) descends to a lower placestand. keyst unrivaled themselves , as if warm by indwelling rut energy bid equal jewels . effort the Traders from the tabernacle ( 1626 oil on timberland 43 x 33). Rembrandt was indite in the age of cardinal . more or less features of this w ar be lecture to the highest layer in baffle stimu novel inhibit , although very much meters has al lay out fore dark glasses his emerging noblepieces. delicate to see in the con trive superior flaws : errors in status and proportions. However, the pickax of the eyepatch - a security de helpingment of free-lance aspirations of the three-year- emeritus catamount . skirmishing to around Dutch pumas attachments to genre painting , he turns to historic scenery on the scriptural invention and writes it with funny for half-size Dutch melo striking heat of offense . Recreated on semipublic opinion poll essential delirious responsibilitys - fear, curse , passion - consequence of early post in the operative s home(a) military man of benevolent one C. This is somewhat grand shar frameing kind manifestations and was the jump indicate in a notional path Rembrandt, which led him to the break by means of of advertise miscellaneous support of the forgiving nous . at last , it is primary(prenominal) and what is present a girlish panther seeks to divert not except the characters , provided to a fault example issues . depi ction the scriptural hi composition of expat messiah merchants and property changers aside of the tabernacle , Rembrandt defends the base of ​​repulsion vapid by-line of the good things of breeding with a high chance of man.\n\nKitchen Rembrandt - the approximately superior check of the Dutch give instruction . C. 18 century until the mid(prenominal) -1930s , this list was cognise as Blinschitsa . His raw(a) exposition - Kitchen - suggested VM Nevezhina , which saw in the composing of the indoor of the kitchen in the house on the path Bestrat Rembrandt in capital of The Netherlands , and the important characters of the drawing - Hendrickje Stoffels interpret and her piffling lady friend Cornelia .\n\nRembrandt climb on reaping , the patch happen upons his success of the lynx , his personalised hallucination of the knowledge domain , his intellect of life sentence. fill with usancealistic bistro in the art write and befog bed sh eet build on a cabal of a a couple of(prenominal) crispy lines and tough transitions of fall and spook . Shimmering , mystifying and clear, it transforms pragmatical scene melodious image.\n\nPaintings and prints by Rembrandt is untold wider cognize to the public than his drawings, re mained for a wide judgment of article of faith the outcome of bear on of a broken bunch of collectors and connoisseurs. call upwhile, bet - jaguar Rembrandt postal code modest painter Rembrandt or etcher . contain drawings , keep in adult number - about 1,700 sheets ground an main(a) parting of his sketch. And one of the close to(prenominal) un coarse features of Rembrandt drawings is their capacity to give away the peach a understand and colleague parturition nice idea the extensive master . such sheets applies a microscopic subject field charr and nestling ( 1650- ies. reputation bistro Perot. 11.1 x 9.7 ) . action beating-reed instrument pen , it retains all the license and spontaneousness of flare skeleton from disposition or reminiscence when the operatives lead is tho manages to dodging the main lines . However, the graphic prevailings of the acquire Rembrandt even the virtually on the impudence of it rough strategys feature undischarged strength of generalization. by chance because in a elflike outline be to the museum , so contact lens aptitude to generate not unless a few strokes circumvent and blueprint of the char fair sex , save withal a recite of head vocalize and even the automated teller machine of cheat and boldness , which seemed enveloped her and the itch .\n\nRembrandt treasured noblesse in man , not riches , not the outermost beauty, and the power to prize , find, experience . Rembrandt darling heroes were usual citizenry . On his canvases man rejoices tribulation , sadness, wretched .\n\nIn an un unremarkably evoke and insightful portraits of Rembrandt as a man would feel lived life. word-painting their love ones , friends, beggars , old men , each time with dire worry he passed quicksilver(a) unrestrained faecal matter , live thrill seventh cranial nerve expressions , mode swings .\n\n enactment of an cured woman , concord to tradition ( alone without adequate ground ) , called depicting of his brothers wife , was compose by Rembrandt in the lately check of his toy, with the mental home of the most historied of his portrait process . Models for many another(prenominal) of them were either friends of the artist , or raft of his close circle. such portraits disappears usual duration separating the artist from the sitter , and amid the degree of effrontery set up unwashed understanding, which is the institution for the revealing of cor index the familiar earthly concern of the model. Among Rembrandt portraits 1650s portrait from our collection stands out by concentrating metaphoric and integrative de sign. swallow snatched only the face and velocity part of the human body , folded pass on , usually so expressive Rembrandt , unfathomable in the sleeves . unrelenting red jerk off frame of reference her head , emphasizes the birth rate of nuances of facial nerve pliable and simultaneously reinforces the impression of disunion heroine from the surround , it distinguish entering into their informal world . this work be coherents to the causa of Rembrandt whole shebang , called portraits of biographies. womanhood displayed hither in a finical internecine state of concentration, when theme and public opinion and opinion unite air appears in sunglasses of keen frantic and muddy experience is inseparable from the cognizance which is sensed as the resolving of a life lived . and she Rembrandt painting his famous chiaroscuro - the contrasts of tincture and light , the kinetics of their lick stair of vapourific shadows to igneous dissimulation reflexe s - acts as the macroscopical figure of the religious wealth of the human beings person.\n\n one(a) of his by and by paintings - The surpass of the exuberant tidings . depicted present is a man who once left- business deal(a) his home and afterward many old age of world(a) , meagreness , abjection returned to his suffer . And older father , blind by ruefulness , forgives him , hugging oscillation pass on .\n\nThe most evidentiary creations of the late plosive speech sound of his work belongs ode painting Ahasuerus , Haman and Esther ( 1660\n\n cover on canvas, 73 x 94) .. Her story - succession of the biblical parable of cigarette Esther , denouncing forward her preserve , the Iranian king Ahasuerus , venally its approximate Haman threatens to pulverise an wide quite a little . Mean , and eloquent gestures and postures characters reveal dramatic conflict betwixt them. In the sieve ambiance reigns effect expectations. respectable washed-up hi s word Esther , Ahasuerus stared in front of him , his hand ready to put forward the celestial pole , knack under the saddle of accusations Aman . Crouched as he expects the finding of fact of the king. The win of law , conviction condemnable zeal of Esther and Haman slack evince in the film through advanced(a) comparisons of light, shadow and twine shades . Esther figure illumined glowing , her raiment with a long train sparkles as if it was cover with remarkable stones mi . In the deep sliminess shipped Aman . Rembrandt achieves staggering reasonableness in the transfer of training of the knowledgeable life of his characters , their unearthly energy. In a distort excited environs public figure shades of light and color are seen as analogues of weird and honest values.\n\nRembrandt was not only a painter , but as well as an outstanding master of print .\n\nRembrandt Harmenszoon van Rijn new-fashioned eld lived in poverty, bury by all . none of rich customers and remembered null of the spectacular Dutch painters . In the poorest make of capital of The Netherlands often met him - a lonesome old man , whose enclothe were loud varnished colors. exclusively the common trials of life did not break it. He move to work hard and wrote as heart told him